Because your time is valuable
If you are doing a lot of screencasts with Zoom in which you share your screen, you might be wondering how you can stop the little video frame from the webcam being included in the recording. Luckily there is an option in the zoom settings to do just that.
Start by clicking on the little cogwheel symbol in order to open the Zoom settings:
Next go to the “Recording” tab and there you can find the “Record video during screen sharing” setting:
Creating your own Spritefonts (sometimes also called bitmap fonts) for Scirra’s Construct 3 game engine using Photoshop can be surprisingly tricky. The main difficulty seems to be in creating a grid of evenly spaced characters so that the automatic Sprite font slicing mechanism in Construct can slice them up properly. A monospace font makes this much more simple since all the characters will take up the same space by default, but monospace fonts are quite limiting stylistically. What if you want to have non-monospaced fonts neatly organized in a grid for Construct?
There are helpful tools like “Give Your Fonts Mono” which can convert a regular font into a sprite font and it even generates the spacing data for Construct 3 which you paste into the Spritefont plugin settings. The spacing data looks typically something like this;
[[20,” “],[9,”l|”],[10,”Ii.,;:!'”],[16,”`”],[17,”[]”],[18,”j”],[20,”()”],[21,”t”],[22,”1-\”\/°”],[23,”r”],[25,”f”],[26,”*”],[31,”J”],[33,”u”],[34,”hkns”],[35,”Ldq”],[36,”bcgpz03789?”],[37,”Favy256+=$<>”],[38,”eox4~”],[40,”£”],[42,”BEP#€”],[44,”HNSTUZ_”],[45,”K”],[46,”D&”],[48,”R”],[49,”C”],[50,”VXY”],[51,”AG”],[52,”MO”],[53,”Q”],[54,”mw”],[58,”%”],[69,”W”],[70,”@”]]
You can’t however do any fancy stuff like giving your characters drop shadows, strokes or gradient fills etc. But there is a work around! Just save your tranparent png image from GYFM and open that in Photoshop. Then you can play with layer styles etc as long as you don’t cross the bounding box given for each character. You can increase the bounding box size in Give your fonts mono to give yourself more room. In Photoshop you might need to cut some of the rows into their separate layers for consistent gradients, but other than that this workflow should be pretty straightforward. When done in PS, simply re-save as PNG and import to Construct 3.
Unfortunately Construct doesn’t seem to support kerning at the moment so that would have to be handled with events. It’s not the easiest of programming challenges though.
Another possibility (besides custom events) might be to make a copy of the most difficult characters in the Spritefont sheet and give them special spacing rules. Then you would need to pick that special character in the situations in which your kerning looks bad. That’s also a bit hacky and tedious. So before Construct gets proper kerning support for Spritefonts, it might be best to stick to monospace Spritefonts.
TIP: If you forgot to include the installer.php file, you can unzip the zipped archive and copy the “installer-backup.php” file from there and just rename it “installer.php”.
In the Duplicator FAQ they recommend uploading the packages through the “theme folder” button in IWP. That didn’t really make a difference in my tests though (I just uploaded the files by copy-pasting with SFTP Net Drive). Note that the installer will throw an error if there are other files present in the installation folder so make sure you delete the old WordPress files. Unfortunately even with these steps we seem to get stuck on Step 3. I recommend checking the error log if this happens. You might need to install php-xml with sudo apk add php-xml. Or you might have to update your PHP version if you are getting errors like this;
INSTALLER ERROR: [PHP ERR][FATAL] MSG:Uncaught Error: Call to undefined function token_get_all() in /var/www/localhost/htdocs/wordpress/duplicator/dup-installer/lib/config/class.wp.config.tranformer.php:387
That wasn’t the main problem in my case though (it seems like a function should be enabled “By web host”).
If you get an error when trying to install that the folder doesn’t have write permissions, do the following: Check the working directory you are in with “pwd” and the contents of the folder you are currently in with “ls”. You might have to elevate yourself to root user with sudo -s and the type in cd /var/. If you can see “var” in the list, then cd into it with cd var. You can cd into localhost even if it’s not listed with cd localhost. You shouldn’t need to change folder permissions here, but if you need to do that in some other situation, you can use chmod like in this example we are giving a folder called wp2 full permissions: chmod 777 wp2.
This is what you should fill in for the configuration:
If nothing else works, just stop the installation process. Things might still work (since it might have succesfully extracted the files and inserted the data into the database). Just delete all the duplicator files from the WordPress root folder. If you get a message saying “Briefly unavailable for scheduled maintenance. Check back in a minute.” you need to also delete the .maintenance file.
I usually don’t post opinion pieces about software, but this time I just can’t help myself.
I have been an Adobe Premiere user since 2004. I own CS3 Master Collection, CS4 Creative suite and CS6 Master Collection. I have been using CC at work.
I was not happy when Adobe forced everyone into a subscription model. It was good for new users though as they had a lower bar to entry. But for us long time users it was not a good move. Many of us expressed skepticism if Adobe would still be motivated to innovate new features for programs like Premiere and After Effects now that they would get our paychecks regardless. I think that skepticism has been proven right over the years.
I think we users can sympathize with software development being complex, difficult and time consuming. So we forgive a lot even when we only see cosmetic features after years and years of waiting. But then DaVinci Resolve steps up and shows everyone how rapidly a piece of software can actually be developed.
It was not that long ago that Resolve 16 was released with an amazing list of new features. And many of them big features, like the Cut page, adjustment clips, the neural engine for AI goodness, object removal etc. So I was not expecting to see as big of a release as Resolve 17 so soon. But here it is, filled with even more AI-based tools like the magic mask, massive Fairlight updates like improved architecture, automatic beat and word detection, new proxy workflows and render in place, new in-timeline chroma keyer, scene cut detection and 90+ smaller features.
I’m not sure if I have ever seen so quick software development, maybe excluding Blender. With speed like this one might expect tons of bugs and crashing, but so far Resolve 17 has been rock solid on my computer.
DaVinci Resolve just starts to seem like an absolute no-brainer at this point. It has editing, VFX-compositing (via Fusion), color grading and audio editing (Fairlight) all in one package. And it’s completely free to use for most purposes. But if you want all the goodness that is available including the neural engine, even then the cost of a perpetual license is only around $300. At the moment you can even get the Speed Editor keyboard thrown in the bundle for free. Now get this: not only is the license perpetual (yours forever), but you will even get free upgrades.
Boy is it nice to see competition like this against Adobe CC! I think we will see people jumping the Adobe ship in masses.
Blender, being the Swiss-army-knife -tool that it is, can also do video editing. Setting up a video editing layout is easier than ever with the new “Workspace” -system of Blender. Simply click on the + button at the end of the workspace tabs and choose Video Editing –> Video Editing. Here’s a picture:
When using Blender as a video editor, a couple of questions immediately come to mind:
First find the Proxy Panel. It lives usually on the right side of the Sequencer (timeline looking panel). Select the clips you want to create a proxy for in the sequence. Click on “Set selected strip proxies” to set these clips up for proxy creation. It will ask for a desired proxy resolution. Then click “Rebuild Proxy and Timecode Indices”. Blender should now start creating the proxy files, next to your original files (although this location can be changed in the settings). It might take a while, but after it’s done, your playback should be much better.
This is a very specific topic, but it was hard to find information about it online, so I’ll post my findings here.
If you want to force a certain color palette on your image in Photoshop you can choose
Image –> Mode –> Indexed Color.
A window will pop up where you can choose a palette. If you want to create your own palette in which you select all the colors, you can do this:
Set the palette to “custom”. A color table window will open. You can delete existing colors by ctrl-clicking on them. You can add more colors by clicking an empty color slot and picking a color for it.
Here’s a quick gif-like video of creating custom color tables (ACT-files) in Photoshop and saving them for later use:
Thanks to 3DTudor for this quick tip that can greatly speed up your texturing workflow! It’s based on first activating the Node Wrangler addon (comes with Blender) and then hitting shift+ctrl+T. The principled shader should be selected when you hit the shortcut.
Rendering out stereo 360 from Blender EEVEE is actually pretty easy thanks to the new eeVR addon.
Here is a quick way of getting random object colors in EEVEE with the shader/node editor:
Note that this is for separate objects, random colors for different parts of the same mesh is more tricky.